Shooting Down Pictures - Latest Comments

Re: 975 (107). The Far Country (1955, Anthony Mann)

faithx5 — Fri, 10 Jul 2009 14:47:56 -0000

I recently watched the Mann/Stewart collaboration The Man from Laramie, and enjoyed it a lot. It's been a long time since I've seen the others, including The Far Country. Might be time to revisit. Thanks, as always, for the great collection of criticism.

Re: 969 (111). Song of Ceylon (1934, Basil Wright)

desmondjr — Fri, 10 Jul 2009 13:19:24 -0000

I only watched a part of it, but that was such a great video, thanks for sharing, you deserve congratulations for your work!

Re: Essay 4: The Woman in the Window (1944, Fritz Lang) with guest commentary by Girish Shambu

Tobias — Fri, 10 Jul 2009 04:42:05 -0000

good job you translate it very good!
Very informativ thanks for the work :)

Re: 940 (81). La roue / The Wheel (1922, Abel Gance)

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Re: 908. Duel (1971, Steven Spielberg)

Traveller_Adventure — Thu, 09 Jul 2009 20:30:59 -0000

What a useful post here. Very informative for me..TQ friends...

Cheers,
Buat Duit Dengan Blog

Re: Essay 4: The Woman in the Window (1944, Fritz Lang) with guest commentary by Girish Shambu

Traveller_Adventure — Thu, 09 Jul 2009 19:53:32 -0000

What a useful post here. Very informative for me..TQ friends...

Cheers,
backyard gardening

Re: 931. Pixote: A Lei do Mais Fraco / Pixote, the Law of the Weakest (1981, Hector Babenco)

portable spas — Thu, 09 Jul 2009 15:38:44 -0000

The movie is shot in documentary fashion and strongly influenced by Italian neo-realism in that amateur actors were used whose real lives strongly resembled those of the protagonists in the film.

Re: Video Essay for 932. Et dieu… crea la femme / …And God Created Woman (1956, Roger Vadim)

hiphop — Thu, 09 Jul 2009 14:57:20 -0000

Looks as if there had so much fun.

Re: 933. Evil Dead II (1987, Sam Raimi)

hiphop — Thu, 09 Jul 2009 14:56:07 -0000

Looks as if there had so much fun

Re: 963 (105). Ensayo de un crimen / The Criminal Life of Archibaldo de la Cruz (1955, Luis Buñuel)

Traveller_Adventure — Thu, 09 Jul 2009 13:14:41 -0000

What I can say is very nice and helpful as well as informative post...really help me very much more!! Thanks..
Cheers,
backyard gardening

Re: 931. Pixote: A Lei do Mais Fraco / Pixote, the Law of the Weakest (1981, Hector Babenco)

Lawyers Database — Thu, 09 Jul 2009 07:44:19 -0000

Pixote, a 10-year-old runaway boy, is arrested on the streets of Sao Paulo during a police round-up homeless people. Pixote endures torture, degradation and corruption at a local youth detention center where two of the runaways are murdered by policemen who frame Lilica, a 17-year-old transvesite hustler.

Re: 931. Pixote: A Lei do Mais Fraco / Pixote, the Law of the Weakest (1981, Hector Babenco)

no scar breast augmentation — Wed, 08 Jul 2009 14:34:06 -0000

The movie is shot in documentary fashion and strongly influenced by Italian neo-realism in that amateur actors were used whose real lives strongly resembled those of the protagonists in the film.

Re: 931. Pixote: A Lei do Mais Fraco / Pixote, the Law of the Weakest (1981, Hector Babenco)

wedding favors — Wed, 08 Jul 2009 06:12:43 -0000

Brazilian film director known for socially conscious films that examine the lives of society’s outsiders.

Re: #901. Land des Schweigens und der Dunkelheit / Land of Silence and Darkness (1970, Werner Herzog)

Traveller_Adventure — Wed, 08 Jul 2009 05:29:42 -0000

Great post, really help me alot. Thanks.

Cheers,
backyard gardening

Re: 922. Pat Garrett and Billy the Kid (1973, Sam Peckinpah)

will — Mon, 06 Jul 2009 15:55:52 -0000

Has anyone ever seen the original 1973 directors cut that is 121 min long?

Re: 911 (51). They Died With Their Boots On (1942, Raoul Walsh)

paulbjaylee — Mon, 06 Jul 2009 06:27:20 -0000

The big drawback: The employee needs to be sure to purchase enough guaranteed future income to cover his or her retirement years. In addition, products that let employees accumulate money in a fixed annuity fidelity 401k may not protect employees adequately from inflation risk.

Re: 938. Dames (1934, Ray Enright, Busby Berkeley)

chiro16 — Mon, 06 Jul 2009 02:29:57 -0000

The movie reminds me of the era when muscle-and-bone reproduction of the thinking into which capitalism dreams of incorporating all human beings are is in its strongest arousal. But aside that, hilarity and entertainment is wonderfully presented by the movie as well.

Re: 959 (101). The Hart of London (1970, Jack Chambers)

quitsmoking — Sun, 05 Jul 2009 13:40:17 -0000

This is really scary. My hear was pounding throughout the movie.

Re: Essay 5: Three short films to Clint Eastwood

quitsmoking — Sun, 05 Jul 2009 13:37:01 -0000

Clint is my all time hero. He is just a really talented actor and director.

Re: 957 (99). La Luna / Luna (1979, Bernardo Bertolucci)

quitsmoking — Sun, 05 Jul 2009 13:35:47 -0000

This is an awesome movie with very different sexual preferences.

Re: 936. Spoorloos / The Vanishing (1988, George Sluizer)

bostonmovinghelp22 — Sun, 05 Jul 2009 13:27:02 -0000

Thanks for posting this one! The photos were great. I'm looking forward for your next post

Re: 930 (71). Night Moves (1975, Arthur Penn)

fitstiks — Sun, 05 Jul 2009 12:12:48 -0000

This 70s movie is mindblowing. It is such a interesting & entertaining movie.

Re: 969 (111). Song of Ceylon (1934, Basil Wright)

hotelconsultants — Sun, 05 Jul 2009 09:21:08 -0000

This is an absolute classic. Thanks for sharing this great film.

Re: Interview with Soumitra Chatterjee, Satyajit Ray’s main actor, on Days and Nights in the Forest

hotelconsultants — Sun, 05 Jul 2009 09:17:06 -0000

Great interview. Soumitra Chatterjee is just a legend. Fantastic stuff.

Re: 931. Pixote: A Lei do Mais Fraco / Pixote, the Law of the Weakest (1981, Hector Babenco)

personal finance facts — Sun, 05 Jul 2009 04:10:38 -0000

And yet very little of these proceedings feel gratuitous or overwrought. The film is sensational but unsentimental, as Hector Babenco’s deadpan direction moves briskly through the catalog of incidents, as if to underscore that this way of life doesn’t afford the luxury of lingering on any moment, no matter how traumatic.